Great Mosque of Djenne
The Great Mosque of Djenné is a banco or adobe building located in Mali, on the flood plain of the Bani River. It is the largest mud-brick building in the world, and is considered to be one of the finest examples of the Sudano-Sahelian architectural style.
This style is common to the Sahel and Sudanian grassland regions of West Africa, and is characterised by the use of mud-bricks and adobe plaster, with wooden-log support beams. On large buildings such as the mosque these beams often protrude from the wall face.
As the building is largely open to the elements, it cracks and erodes due to rain, humidity and temperature changes. As a result, local mud masons are regularly required to repair the structure to prevent it from falling disintegrating.
The mosque can accommodate 3,000 worshippers and is one of the most famous architectural landmarks in Africa which, along with the ‘Old Towns of Djenné’, was designated a World Heritage Site by UNESCO in 1988.
In 1834 the original mosque was demolished by order of the conquering Amadou Lobbo, who considered it to be too lavish and palatial. The only surviving portion of the original structure is an enclosure containing the graves of local leaders. The structure was re-built in 1896 but this too was demolished after just a few years.
In 1906, the French administration, who had colonised Djenné, ordered the construction of the current building. The French probably provided funding for the building of the mosque and a nearby madrasa, both of which were completed 1907-1909 using forced labour under the supervision of the head of Djenné’s guild of masons, Ismaila Traoré.
The mosque’s walls were constructed using ferey (sun-baked earth bricks), as well as sand and earth-blasted mortar. The smooth, sculpted aesthetic is created by a plaster coating. Bundles of toron, or rodier palm sticks protrude some 60 cm (2 ft) from the surface and serve as ready-made scaffolding for the frequent repairs that are necessary.
To prevent the building from flooding due to its proximity to the Bani River, it was built on a platform measuring 75 x 75 m (246 x 246 ft), and raised by 3 m (9.8 ft). Six sets of stairs, each adorned with pinnacles, provide access to the building.
The building plan has a trapezoidal form. Historians have suggested that the position of some of the outer walls follow those of the original mosque, although it is not certain whether the roof-supporting columns do as well.
The east-facing qibla (prayer wall) is dominated by three large, box-like minarets which jut out from the main wall. The central tower measures around 16 m tall. At the top of each minaret are cone-shaped spires topped with ostrich eggs.
The prayer hall measures 26 x 50 m (85 x 164 ft), and is supported by 9 interior walls which are pierced by pointed arches, creating 90 massive rectangular pillars which span the interior. The roof is fitted with small vents allowing hot air out of the building. Adjacent to the prayer hall is an interior courtyard surrounded on three sides by galleries, the walls of which are punctuated with arched openings.
The mosque is regularly maintained, but only minor design changes have taken place since its completion in 1909. The conservation efforts of the local community have been widely praised, with most attempts at modernisation being resisted, other than the installation of a loudspeaker system.
The mosque aroused controversy in 1996 when Vogue magazine held a fashion shoot of scantily-dressed women inside the mosque. As a backlash against this, non-Muslims were banned from entering.
 Related articles on Designing Buildings Wiki
- Angkor Wat.
- Building of the week series.
- Dome of the Rock.
- Earth building.
- Earthen construction.
- El Castillo.
- Golden Temple, Amritsar.
- Hagia Sophia.
- Largest sandcastle in the world.
- Leaning Tower of Pisa.
- Mahabat Maqbara, India.
- Shah Cheragh, Iran.
- Taj Mahal.
- The British Mosque: an architectural and social history.
- These giant infrastructure projects are set to reshape Africa.
The joint-institute document aims to help maintain cultural heritage by providing a consistent framework across different sectors & geographies
IHBC’s Gus Astley Student Awards 2021: Win £500 and a place on IHBC’s 2022 Aberdeen School with your built environment/heritage coursework, closes 31/07!
The last remaining buildings on the site of the Harris meat factory family’s historic mansion are being restored to their former glory and converted into new homes.
The Construction Industry Coronavirus Forum (CICV Forum) has unveiled a new guide to the crucial and increasingly complex issue of professional indemnity insurance (PII).
ICOMOS has advised that the new football stadium proposal, if implemented, would have a completely unacceptable major adverse impact its authenticity and integrity.
Responding to the changing working patterns of a post-Covid Scotland, the Construction Scotland Innovation Centre (CSIC) has revealed new plans to help retrofit public spaces into out-of-town alternatives to city centre offices.
The free-to-access online issue mixes the topical and practical to explore how the sector can best adapt to digital innovation.
IHBC’s 2021 virtual conference examines how we can best change and sustain places for the benefit of people, led by expert practitioners boasting international, national and local profiles and experiences.
The 2021 winners of the European Heritage Awards / Europa Nostra Awards have been announced.
England’s Housing Minister has announced a £1.1 million fund to test the use of digital tools and data standards across 10 local areas.