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Last edited 12 May 2020
Gehry’s post-modern design began with two very different structures, together making up 7,000 sq. m of office space. Gehry wanted to connect and anchor the two in the centre using a ‘giant random object’ as a sculpture. The giant binoculars, designed by artists Claes Oldenburg and Coosje van Bruggen, became the access point to the building for both cars and pedestrians.
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