Deconstructivism
Deconstructivism is a Postmodern architectural style characterised by the idea of fragmentation and the manipulation of a structure’s surface. Buildings adopting the style are often formed of components that have been disassembled and reassembled in a new and unorthodox way, giving the impression of a chaotic design devoid of precise logic.
It attempts to move away from the conventions of modernism that can be viewed as ‘constricting rules’, such as the notions that ‘form follows function’, ‘purity of form’, and ‘truth to materials’.
Deconstructivism in architecture was influenced by the deconstructivist theories of the French philosopher Jacques Derrida, who said that ‘architecture is nothing but one of many ways of communication’. It was also influenced by early-20th century constructivist architecture developed in Soviet Russia.
Deconstructivism developed out of the postmodern style and first gained widespread attention in 1988 with an exhibition entitled ‘Deconstructivist Architecture’ in New York’s Museum of Modern Art. The exhibition featured the work of architects such as Frank Gehry, Rem Koolhaas and Zaha Hadid. Where deconstructivism deviates from the postmodernist style in its rejection of ornament as decoration.
Other defining stylistic features include:
- Unrelated forms.
- Abstract nature.
- Smooth exterior surfaces.
- Contrast of shapes and forms.
- Large expanses of a single material (glass, metals, masonry, etc.).
- Window frames often hidden in the walls.
- Simple metal frame doors.
- Exposed materials.
The rise in prominence of computer-aided design (CAD) in contemporary architecture was a key factor in the development of deconstructivism, as three-dimensional modeling enabled the intricate design of complicated and unorthodox shapes and spaces.
Despite seeking to distance himself from the label, one of the most prominent architects associated with the style is Frank Gehry, whose Santa Monica residence – the building for which he first received critical acclaim – is regarded as the prototypical deconstructivist building, as well as his later buildings the Guggenheim Museum and Walt Disney Concert Hall.
Other architects who have been identified with the style are Zaha Hadid, Peter Eisenman, Rem Koolhaas, and Daniel Libeskind.
The most notable examples of deconstructivism are:
- CCTV Headquarters, Beijing.
- Dancing House, Prague.
- Imperial War Museum, Manchester.
- Guggenheim Museum, Bilbao.
- Jewish Museum, Berlin.
- Walt Disney Concert Hall, Los Angeles.
[edit] Related articles on Designing Buildings Wiki
- Architectural styles.
- Art Deco.
- Art Moderne.
- Art Nouveau.
- Bauhaus.
- BEST Products showrooms.
- Blobitecture.
- Brutalism.
- Chinese brutalism.
- Computer aided design (CAD).
- Concept architectural design.
- Constructivist architecture.
- Dancing House, Prague.
- Frank Gehry.
- Guggenheim Museum, Bilbao.
- High-tech architecture.
- Italian brutalism.
- Metabolism.
- Peter Eisenman.
- Parametricism.
- Postmodern architecture.
- Spomeniks.
- Walt Disney Concert Hall.
- Zaha Hadid.
[edit] External references
Featured articles
Check out some of the best features and news from Designing Buildings as well as key stories from around the web.
Why construction can't afford to ignore the skills gap.
Building Safety Regulator, 19 August
Gill Kernick appointed Independent Chair of Residents’ Panel.
Connecting knowledge, technology and conservation
Building competence for the future of built heritage.
Building Regulations and Building Safety Act
CIOB publishes free advice for non-domestic clients.
Building Safety Newsletter from MHCLG.
An extraordinary record of steel engineering worldwide.
Households living near new pylons to save on bills.
ECA warns growth must not outpace grid capacity or skills.
The role of the client and decision making
CIOB response to built environment professions call for evidence.
Construction's sustainability reporting revolution
Tracking upfront embodied carbon with digital tools.
ECA welcomes procurement reforms
Public spending must back British jobs and skills.
Campaigning for Edinburgh: the Cockburn Association 1875-2049
The role of the civic voice in protecting character. Book review.


















