Building a Crossing Tower: a design for Rouen Cathedral of 1516
|Building a Crossing Tower: a design for Rouen Cathedral of 1516, by Costanza Beltrami, Paul Holberton publishing, 2016, 135 pages, 97 black and white and colour illustrations, paperback.|
The sum total of all surviving medieval gothic architectural drawings is no more than 600, of which barely 15 remain from all gothic France. The discovery in 2014 of a previously unknown drawing of a gothic tower with an immense, soaring spire was therefore an unusual event. The drawing, which is an impressive 3.5 metres in height, corresponds to no surviving gothic tower, and bears no signature or identifying title. What is also extraordinary is the top-down perspective from which the tower is represented, something that is not paralleled in any other medieval drawing.
The drawing is the subject of this absorbing book, in course of which Costanza Beltrami’s diligent research has enabled her to reveal its date, subject and probable designer. Moreover, she provides a wealth of fascinating information about the political and civic context in which the project was devised and the practice of late gothic architects. It concerns the final phase of the gothic style, known in France as the style Flamboyant, shortly before it was displaced by renaissance classicism.
The churches, chateaux and town halls of this period are not well known in Britain, but they represent some of the most thrilling architectural creations of the late middle ages in Europe, of which the drawing is a supreme example. The tower as depicted is a kind of fantasy, bristling with pinnacles, gargoyles and statues, and smothered in floral decoration, its spindly structure appearing to defy gravity. The book begins with a series of huge double-spread enlargements of sections of the drawing, which emphasise the compelling power of the design.
By extraordinarily good fortune, Beltrami has been able to attribute the drawing to Rouen Cathedral on the basis of surviving Chapter minutes. These record that following the destruction of an earlier crossing tower by fire in 1514, the cathedral canons held a competition for a replacement. Unsure which scheme to select, the Chapter sought advice from artisans and local citizens, eventually deciding on a compromise by which the ruined tower stonework would be repaired and finished off with a timber spire. This instruction, however, was ignored by the cathedral architect Roulland le Roux, who proceeded to build a stone tower to his own design.
When in due course this was found out, he claimed that his action was for the good of the cathedral. Another hiatus followed, with a new drawing produced by Roulland showing his intended design at first being accepted by the Chapter and then later rejected. The partially-built tower was duly capped off until it was completed 40 years later in the renaissance style. On the basis of the Chapter minutes, which are included as an appendix to the book, Beltrami has argued convincingly that the tower drawing is the one which Roulland submitted to the Chapter, and that its visionary character was intended to overcome the canons’ reluctance to permit him to continue.
To give context to this tale of intrigue and cultural ambition, Beltrami examines the use of architectural drawings in medieval Europe, the role of architects and craftsmen, and the commissioning process and associated political infighting. Written in a clear and engaging style, and beautifully illustrated with other comparable late-gothic drawings and buildings that are also little known, Building a Crossing Tower is a fascinating and informative book.
Related articles on Designing Buildings Wiki
- Architectural styles.
- Conservation area.
- Durham Cathedral's Open Treasure project.
- Floors of the great medieval churches.
- Gothic revival style
- IHBC articles.
- Listed building.
- Scheduled monuments.
- The Institute of Historic Building Conservation.
- Types of drawing.
- Wimpole Gothic Tower conservation
The IHBC lists quality providers of education and learning in the historic built environment, and emails a monthly recap of their upcoming events.
On Læsø, houses are thatched with thick, heavy bundles of silvery seaweed that have the potential to be a contemporary building material around the world.
For the first time in its history, England’s largest festival of heritage and culture will feature online events as well as in-person activities. Heritage Open Days (HODs) returns in September, thanks to support from players of People’s Postcode Lottery.
The Royal Society for the encouragement of Arts, Manufactures and Commerce (RSA) shows the scale of the ‘missed opportunity’ if we continue to separate heritage policymaking and economic policymaking.
The resource format has proved to be a successful way of providing guidance for local authorities on crucial policy topics.
Insight into the smart ways to design building services to ensure they perform as designed without being over-engineered
Historic England (HE) has awarded £250,000 towards the restoration of the Union Chain Bridge, built in 1820, spanning the River Tweed near Berwick.
One of Ireland’s most distinguished architectural historians explores the differences between ‘restoration’ and ‘repair’ and Conservation ethics in issue 163 of CONTEXT.
Architects say buildings should be protected – to fight climate change, reports the BBC on recent evidence given to the Commons Environmental Audit Committee (EAC).
It includes articles on Rethinking Retrofit to not waste carbon and not damage buildings, Assessing Moisture in porous building materials, conserving the Burns Monument using lime grout and injection mortars, Curated Decay, and more.