Last edited 10 Jan 2022

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Institute of Historic Building Conservation Institute / association Website

Bronze Behaving Badly: principles of conservation for bronze objects

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Bronze Behaving Badly: principles of conservation for bronze objects, Antique Bronze, Restoration Series, Volume 1, Lucy Branch, ABL Press, 2020, 190 pages, 38 colour illustrations.


‘The rules of conservation never preserved a bronze,’ advises bronze conservator Lucy Branch, extending 18th-century Scottish philosopher Thomas Reid’s quote about navigation and architecture to the ethical balancing act of science, art, integrity and sustainability for bronze conservation.

Branch is a director of Antique Bronze, a bronze restoration company, established in 1955 and specialising in sculpture and architectural features. She has worked on many high-profile bronze restoration projects, including Eros and the Shaftsbury Memorial, the Queen Victoria Memorial at Buckingham Palace, outdoor sculpture at Hampton Court Palace and the Barbara Hepworth Collection at Tate St Ives.

Bronze Behaving Badly’ is written for site managers, stakeholders, built heritage professionals, conservators and custodians. Branch’s writing is lively and accessible, yet it does not shy away from the chemistry and artistry of bronze sculpture and conservation. Throughout the book we are reminded about the value and benefits of regular inspection and maintenance. Part I covers the basic structure and ‘recipes’ for bronze, and guides readers through the process of creating bronze sculpture and architectural elements, finishing and applied patinas. The discussion includes historic and 21st-century methods, and highlights how things can go wrong in the process of creation and in the decades (or centuries) that follow the foundry finish. Simple sketches might have been helpful in this chapter to express some of the more abstract concepts.

Part II considers history and context, concepts ably demonstrated by illustrated case studies. Branch’s reflective approach to conservation elevates significance, presentation and archival research as central concerns for the ethics of conservation. I was pleased to find Part III devoted entirely to these concerns. ‘Bronze Behaving Badly’ includes a list of references by subject area and, critically, the Institute of Conservation’s (Icon) professional standards and judgements and ethics; essential reading for anyone commissioning or undertaking work on sculptural or architectural bronze. The value of documentation is considered, both as archival evidence to understand the creation processes, artistic intent and past treatments, and the responsibility for leaving behind our rationale for specifying work today.

Techniques and coatings are covered in Part IV, loosely organised from least interventive and reversible to more aggressive and irreversible treatments. Branch gets real about the value and limitations of chemical analysis, and highlights the value of experience, fieldwork, environmental awareness and archival research for assessing patina and other forms of corrosion. Refreshingly for a book about metals conservation, ‘Bronze Behaving Badly’ includes a section on poulticing treatments to remove bronze staining from stone.

The conclusion urges practitioners to reflect on the work that has been done, and make sure that sites are revisited to assess conditions and evaluate the performance of treatments. The message is clear: do your homework in the archives, evaluate significance, consider how people use or value the site, assess the environment, consider a range of treatments, and document both your decision-making processes and work.


This article originally appeared as ‘Reflect, revisit, evaluate’ in Context 169, published by the Institute of Historic Building Conservation (IHBC) in September 2021. It was written by Heather McGrath Alcock, SAHGB-funded PhD researcher, Liverpool School of Architecture.

--Institute of Historic Building Conservation

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