Scagliola
Contents |
[edit] Introduction
Scagliola is a technique used to produce the appearance of decorative stone. It is created by mixing plaster with glue and dye and is then finished to mimic the appearance of marble or other types of semi-precious stone. The surface of scagliola can be painted or polished to reproduce the desired effect.
The origins of the word come from the Italian term scaglia, which can be translated to mean flakes or chips (as in the flakes or chips of colour used to create the decorative results).
[edit] History
This technique has been used as a form of ornamentation for centuries. There are instances of scagliola in several ancient civilisations, including Egypt (to decorate tombs), Greece (to beautify aqueducts) and India (to adorn dome interiors).
There is also evidence that it was used in ancient Roman architecture, but it wasn’t until the baroque period that it became popular - particularly in Florence. During the 17th century, the technique was used as a more affordable - and easier to instal - method of producing fine architectural elements (such as columns), sculpture, flooring, furniture and other structures that appeared to have marble inlays.
Scagliola became popular in Germany and then spread to the United Kingdom, where one of the earliest installations is in the Queen’s bedchamber at Ham House. As one of the most elegant rooms in the house, the bedroom was decorated for a visit by Catherine of Bragnaza, the wife of Charles II, and includes elaborate scagliola panels around the fireplace and on one of the window ledges.
This particular example is made from selenite, which is a form of gypsum that has been made to look like marble. It was most likely imported from northern Italy.
The installation of scagliola was also part of a 19th century renovation to the interiors of Buckingham Palace. The baroque technique is seen in the widespread use of brightly coloured scagliola and blue and pink lapis.
After this period, scagliola fell out of fashion in England, but it remained popular in Ireland and spread throughout the United States in the 19th and 20th centuries. American scagliola is sometimes referred to as marezzo.
![]() |
This is an example of marezzo scagliola. It is located in the Allen County Courthouse in Fort Wayne, Indiana. |
[edit] Making scagliola
There are two types of scagliola - traditional and marezzo - which require different methods of production.
[edit] Traditional
The classic scagliola faux marble technique uses pieces of pigment, water and plaster mixed into a paste like texture and placed on a flat stone surface. Glue can be added to the water to harden the plaster. This is then sprinkled with dry, veining colourant of plaster and stone dust. These components are mixed and cut to produce the veining effect.
The final product is placed into a form and cut into pieces that can be attached and then beaten into the surface of walls or columns. The finished surface is then scraped and sanded. In a technique referred to as ‘stopping’, additional scagliola material is used to fill any holes that exist. This action may be repeated several times.
The surface is then finished and polished.
[edit] Marezzo
As a newer form of scagliola, the marezzo technique produces a smoother result than the traditional technique. It uses silk threads that have been soaked in coloured dyes. These threads are then put on top of a sheet of glass, which is then covered with wet, pigmented plaster. The threads are dragged through the plaster to create the veining effect that looks like the veins in marble.
When the plaster reaches a semi-set state, it is installed on the desired surface. The finished surface is then polished.
[edit] Inlays
There is a different technique for making scagliola inlays. This involves using a liquid form of the mixture and placing it into engravings that have been made into a piece stone. Details can be built up in several stages of carving and filling.
Once the mixture dries, it is rubbed until it is smooth. The surface is then polished.
[edit] The polishing process
In each instance, the smooth surface of the scagliola is finished with water and pumice. It is then polished and sealed with wax, oil, lacquers and stone.
While scagliola mimics the appearance of marble, malachite or other precious stone, it can be distinguished by its surface temperature. It will feel warmer than natural stone and will sound more resonant (or hollow) when struck.
[edit] Taking care of scagliola
Scagliola should only be maintained and repaired by knowledgeable personnel.
![]() |
This photograph shows a worker repairing the scagliola on a column in the Crystal Room of the Willard Hotel in Washington, DC during a restoration. |
Common forms of damage can include:
- Dirt from handling or other forms of human contact.
- Discolouration caused by excessive coating applications.
- Damage caused by impact or movement.
- Delamination caused by excessive moisture.
[edit] Related articles on Designing Buildings Wiki
IHBC NewsBlog
HEF’s Heritage Sector Resilience Plan launched
The Heritage Sector Resilience Plan, developed by the Historic Environment Forum (HEF) with the support of Historic England, has been launched.
Common Commitment to all Ireland’s heritage – North South Agreement on Vernacular Heritage
An ‘All-Island’ commitment to Ireland’s vernacular heritage has been established with the signing of the North South Agreement on Vernacular Heritage, supporting traditional buildings etc.
Bristol Harbourside landmark Canons House gets GII listing
Canons House, a landmark building on Bristol Harbourside, has been awarded Grade II (GII) listed status having been built as a regional headquarters for Lloyds Bank between 1988 and 1991 (Arup)
BRE/BEIS project to modernise home energy rating scheme
The Building Research Establishment (BRE) has announced a new project with the Department for Business, Energy and Industrial Strategy (BEIS) to improve and modernise the home energy rating scheme used to measure the energy and environmental performance of UK homes.
Interdisciplinary IHBC accreditation recognised by CSCS for PQP Cards
Sector lead the Construction Skills Certification Scheme (CSCS) has recognised the IHBC’s professional accreditation and support (CPD etc.) in awarding its PQP (Professionally Qualified Person) cards.
IHBC Heritage Marketplace provides learning-led virtual engagement
The IHBC’s 2022 Aberdeen School Heritage MarketPlace (4.30-7.30PM, 15 June) is designed to extend the scope of a traditional IHBC School exhibition floor.
Unearthing the history of Gloucester’s 'the Fleece' Hotel starts
Work to repair a fire-hit medieval hotel in Gloucester is underway as crews have started work to strip back some of the modern trappings and reveal the historic framework.
Booking Open for IHBC Annual School: Aberdeen, 16-18 June 2022
Options for in-person and virtual delegates to explore ‘heritage on the edge’ across up to 4 days of IHBC engagement & learning.
European Heritage Heads Forum statement on Ukraine
The Secretariat to the European Heritage Heads Forum has has coordinated its declaration of solidarity and support for Ukraine’s cultural heritage institutions.
Welcome to #IHBC25 – 25 years since we turned professional
2022 will see the IHBC mark a quarter of a century since our incorporation as a professional body supporting and accrediting built and historic environment conservation specialists. We’re kick-starting it by inviting your ideas on how to mark this special year!