The Anatomy of Colour - Revision history

Designing Buildings at 07:18, 25 January 2021

2021-01-25T07:18:25Z

← Older revision		Revision as of 07:18, 25 January 2021
Line 39:		Line 39:
	* The Institute of Historic Building Conservation.		* The Institute of Historic Building Conservation.

−	[[Category:Conservation]] [[Category:~~History~~]] [[Category:~~Publications_/_reports~~]] [[Category:~~Products_~~/~~_components~~]] [[Category:~~DCN_Product_Knowledge~~]]	+	[[Category:Conservation]] [[Category:DCN_Commentary]] [[Category:DCN_Product_Knowledge]] [[Category:DCN_Report]] [[Category:History]] [[Category:Publications_/_reports]] [[Category:Products_/_components]]

Editor at 18:15, 21 May 2020

2020-05-21T18:15:40Z

← Older revision		Revision as of 18:15, 21 May 2020
Line 27:		Line 27:
	* Chinese Wallpaper in Britain and Ireland.		* Chinese Wallpaper in Britain and Ireland.
	* Colour appearance.		* Colour appearance.
		+	* Colour Rendering Index CRI.
	* Conservation.		* Conservation.
	* Decoration.		* Decoration.
Line 38:		Line 39:
	* The Institute of Historic Building Conservation.		* The Institute of Historic Building Conservation.

−	[[Category:Conservation]] [[Category:History]] [[Category:Publications_/_reports]] [[Category:Products_/_components]]	+	[[Category:Conservation]] [[Category:History]] [[Category:Publications_/_reports]] [[Category:Products_/_components]] [[Category:DCN_Product_Knowledge]]

Editor at 20:07, 30 December 2019

2019-12-30T20:07:39Z

← Older revision		Revision as of 20:07, 30 December 2019
Line 1:		Line 1:
	{\|		{\|
−	\| [[File:~~The anatomy of colour~~.png]]	+	\| [[File:The_anatomy_of_colour.png\|link=File:The_anatomy_of_colour.png]]
	\|-		\|-
	\| The Anatomy of Colour, Patrick Baty, Thames and Hudson, 2017, 352 pages, 600 illustrations, hardback.		\| The Anatomy of Colour, Patrick Baty, Thames and Hudson, 2017, 352 pages, 600 illustrations, hardback.
Line 30:		Line 30:
	* Decoration.		* Decoration.
	* Finishes.		* Finishes.
		+	* Historic paintwork
	* IHBC articles.		* IHBC articles.
	* Interior designer.		* Interior designer.

Designing Buildings at 09:30, 31 March 2019

2019-03-31T09:30:05Z

← Older revision		Revision as of 09:30, 31 March 2019
Line 1:		Line 1:
	{\|		{\|
−	\|	+	\| [[File:The anatomy of colour.png]]
−		+
	\|-		\|-
	\| The Anatomy of Colour, Patrick Baty, Thames and Hudson, 2017, 352 pages, 600 illustrations, hardback.		\| The Anatomy of Colour, Patrick Baty, Thames and Hudson, 2017, 352 pages, 600 illustrations, hardback.

Designing Buildings at 09:23, 31 March 2019

2019-03-31T09:23:07Z

← Older revision		Revision as of 09:23, 31 March 2019
Line 26:		Line 26:

	* Acrylic.		* Acrylic.
−	* Chinese ~~wallpaper~~.	+	* Chinese Wallpaper in Britain and Ireland.
	* Colour appearance.		* Colour appearance.
	* Conservation.		* Conservation.

Designing Buildings at 09:22, 31 March 2019

2019-03-31T09:22:13Z

← Older revision		Revision as of 09:22, 31 March 2019
Line 38:		Line 38:
	* The Institute of Historic Building Conservation.		* The Institute of Historic Building Conservation.

−	[[Category:~~Do_not_autolink~~]] [[Category:History]] [[Category:Publications_/_reports]] [[Category:Products_/_components]]	+	[[Category:Conservation]] [[Category:History]] [[Category:Publications_/_reports]] [[Category:Products_/_components]]

Designing Buildings: Protected "The Anatomy of Colour" ([edit=sysop] (indefinite) [move=sysop] (indefinite))

2019-03-31T09:21:13Z

Protected "The Anatomy of Colour" ([edit=sysop] (indefinite) [move=sysop] (indefinite))

← Older revision

Revision as of 09:21, 31 March 2019

Designing Buildings at 09:21, 31 March 2019

2019-03-31T09:21:01Z

← Older revision		Revision as of 09:21, 31 March 2019
Line 1:		Line 1:
−	The Anatomy of Colour, Patrick Baty, Thames and Hudson, 2017, 352 pages, 600 illustrations, hardback.	+	{\|
		+	\|
		+
		+	\|-
		+	\| The Anatomy of Colour, Patrick Baty, Thames and Hudson, 2017, 352 pages, 600 illustrations, hardback.
		+	\|}

	In ‘The Anatomy of Colour’, Patrick Baty has produced an excellent and highly readable resource charting the development of the materials and colour theories underpinning the house-painting industry since the 17th century. It will delight both the paint geek and the general public alike.		In ‘The Anatomy of Colour’, Patrick Baty has produced an excellent and highly readable resource charting the development of the materials and colour theories underpinning the house-painting industry since the 17th century. It will delight both the paint geek and the general public alike.
Line 32:		Line 37:
	* Paints and coatings.		* Paints and coatings.
	* The Institute of Historic Building Conservation.		* The Institute of Historic Building Conservation.
		+
		+	[[Category:Do_not_autolink]] [[Category:History]] [[Category:Publications_/_reports]] [[Category:Products_/_components]]

Designing Buildings: Created page with "The Anatomy of Colour, Patrick Baty, Thames and Hudson, 2017, 352 pages, 600 illustrations, hardback. In ‘The Anatomy of Colour’, Patrick Baty has produced an excellent and ..."

2019-03-31T09:20:28Z

Created page with "The Anatomy of Colour, Patrick Baty, Thames and Hudson, 2017, 352 pages, 600 illustrations, hardback. In ‘The Anatomy of Colour’, Patrick Baty has produced an excellent and ..."

New page

The Anatomy of Colour, Patrick Baty, Thames and Hudson, 2017, 352 pages, 600 illustrations, hardback.

In ‘The Anatomy of Colour’, Patrick Baty has produced an excellent and highly readable resource charting the development of the materials and colour theories underpinning the house-painting industry since the 17th century. It will delight both the paint geek and the general public alike.

With his unique background as a paint historian, analyst and merchant, Baty clearly demonstrates how the technology of the day influenced interior decoration, and he successfully debunks some of the many established myths around the concept of traditional paints. Often terms that we use on an everyday basis such as paint are not fully understood. He begins his book with an informative walk through traditional decorative materials, their manufacture and use by the house painter. This forms a strong foundation for exploration of subsequent developments, which he outlines in chronological order.

Within each historical period he carefully describes how colour was used within buildings, with the help of a splendid array of colour photographs and illustrations. The discussion is by no means limited to paint colour alone. Baty widens his remit to encompass both wallpapers and decorative techniques such as marbling and graining. Although the misconceptions swirling around historic decoration schemes are too numerous for the author to detail fully, he highlights how some of our notions of what a 17th or 18th century interior should look like were concocted in the post-second-world-war period. However, Baty delves deeper into his subject than most authors to consider the establishment of colour systems, theories and standards that have supported our use of colour since the 18th century. Among the book’s delights are the visual presentation of these systems and the impressive library of colour cards that he has built up over the years.

By bringing his breadth of research and experience to the book, Baty clearly aims to appeal to a wide readership, from paint scholar to DIY decorator. Not only does he provide a definitive reference source for the former, but he is also able to interject practical advice into the text, outlining some of the pitfalls of the materials he describes. The voice of the exasperated paint merchant can sometimes be quietly heard between the lines of text.

While Ian Bristow’s influential two-book series ‘Architectural Colour in British Interiors’ and ‘Interior House-Painting Colours and Technology’ is an invaluable resource for those interested in historic house decoration, those books concentrate on the period between 1615 and 1840. By continuing to pursue the topic from the mid- 19th century up to the 1960s, The Anatomy of Colour shines a light on a period where there is a genuine lack of easily accessible information. It is an unenviable task, as the introduction of new materials and production methods accelerated at a phenomenal rate from the 1920s onwards. However, Baty tackles the subject confidently in a clear and easily understandable manner, plugging an information gap at a time when there is increasing interest in 19th and 20th century decoration.

Many of us have been avid readers of Baty’s past writing in periodicals and on his blog. In ‘The Anatomy of Colour’, he draws on and encapsulates his extensive knowledge and expertise into one thoroughly enjoyable and informative text.

-----
This article originally appeared as ‘Historian, analyst, merchant’ in IHBC’s [https://ihbconline.co.uk/cont_arch/?p=1062 Context 155], published in July 2018. It was written by Lisa Oestreicher, architectural paint research consultant.

--[[User:Institute_of_Historic_Building_Conservation|Institute of Historic Building Conservation]]

= Related articles on Designing Buildings Wiki =

* Acrylic.
* Chinese wallpaper.
* Colour appearance.
* Conservation.
* Decoration.
* Finishes.
* IHBC articles.
* Interior designer.
* Large-scale murals.
* Paint.
* Paints and coatings.
* The Institute of Historic Building Conservation.