Six pins and half a dozen needles - Revision history

Designing Buildings at 07:41, 2 December 2020

2020-12-02T07:41:25Z

← Older revision		Revision as of 07:41, 2 December 2020
Line 37:		Line 37:
	* Wire mesh church installation.		* Wire mesh church installation.

−	[[Category:~~Projects_and_case_studies~~]] [[Category:DCN_Project_Knowledge]] [[Category:News]] [[Category:~~DCN_News~~]]	+	[[Category:DCN_Commentary]] [[Category:DCN_News]] [[Category:DCN_Project_Knowledge]] [[Category:News]] [[Category:Projects_and_case_studies]]

Editor at 10:08, 7 August 2018

2018-08-07T10:08:49Z

← Older revision		Revision as of 10:08, 7 August 2018
Line 32:		Line 32:
	* Hive installation.		* Hive installation.
	* Leaning Tower of Pisa.		* Leaning Tower of Pisa.
		+	* Open to the Public.
	* Parthenon of Books.		* Parthenon of Books.
	* Unusual building design of the week.		* Unusual building design of the week.
	* Wire mesh church installation.		* Wire mesh church installation.

−	[[Category:Projects_and_case_studies]] [[Category:News]]	+	[[Category:Projects_and_case_studies]] [[Category:DCN_Project_Knowledge]] [[Category:News]] [[Category:DCN_News]]

Designing Buildings at 14:31, 2 August 2017

2017-08-02T14:31:16Z

← Older revision		Revision as of 14:31, 2 August 2017
Line 1:		Line 1:
−	[[File:Chinneck1.jpg]]	+	[[File:Chinneck1.jpg\|link=File:Chinneck1.jpg]]

	On 1 August 2017, British artist Alex Chinneck unveiled his first permanent public installation – a giant rip in the brick façade of a London building.		On 1 August 2017, British artist Alex Chinneck unveiled his first permanent public installation – a giant rip in the brick façade of a London building.

−	Titled ‘Six Pins and half a Dozen Needles’ the surrealist installation is located on the site of Assembly London, Hammersmith., a former publishing house.	+	Titled ‘Six Pins and half a Dozen Needles’ the surrealist installation is located on the site of Assembly London, Hammersmith, a former publishing house. Reaching a height of 20 m, and weighing 10 tonnes, the installation is designed to appear as though the building’s red brick façade has cracked in half. Chinneck intended the split to resemble a page ripped from a book.

−	~~Reaching a height of 20 m, and weighing 10 tonnes, the installation is designed to appear as though the building’s red brick façade has cracked in half~~. ~~Chinneck has intended the split to resemble a page ripped from a book~~.	+	[[File:Chinneck3.jpg\|link=File:Chinneck3.jpg]]

−	~~[[File:Chinneck3.jpg]]~~	+	The product of 14 months’ work collaborating with structural engineers, steelworkers and brick-makers, the piece consists of 4,000 bricks and more than 1,000 stainless steel components. It is formed on a steel framework that is bolted and welded to the building. The ‘rip’ is achieved by using the stainless steel components together with hundreds of unique bricks which were individually cut by hand and water.
−		+
−	The ~~end~~ of 14 months’ work collaborating with structural engineers, steelworkers and brick-makers, the piece consists of 4,000 bricks and ~~over~~ 1,000 stainless steel components. It is ~~placed~~ on a steel framework that is bolted and welded to the building. The ‘rip’ is achieved by using the stainless steel components together with hundreds of unique bricks which were individually cut by hand and water.	+

	The installation process took 18 hours, with each section having to be lifted 75 m to clear the neighbouring buildings on the site.		The installation process took 18 hours, with each section having to be lifted 75 m to clear the neighbouring buildings on the site.
Line 17:		Line 15:
	“The work was conceived to engage people in a fun and uplifting way. Although we use real brick, it was designed with a cartoon-like quality to give the sculpture an endearing artifice and playful personality. I set out to create accessible artworks and I sincerely hope this becomes a popular landmark for London and positive experience for Londoners.”		“The work was conceived to engage people in a fun and uplifting way. Although we use real brick, it was designed with a cartoon-like quality to give the sculpture an endearing artifice and playful personality. I set out to create accessible artworks and I sincerely hope this becomes a popular landmark for London and positive experience for Londoners.”

−	[[File:Chinneck2.jpg]]	+	[[File:Chinneck2.jpg\|link=File:Chinneck2.jpg]]

	Chinneck is no stranger to the surreal spectacle that merges architecture with sculpture, with previous works including a melting house constructed from wax bricks, and a house façade that appeared to have slumped into the street in Margate.		Chinneck is no stranger to the surreal spectacle that merges architecture with sculpture, with previous works including a melting house constructed from wax bricks, and a house façade that appeared to have slumped into the street in Margate.

Editor: Created page with "File:Chinneck1.jpg On 1 August 2017, British artist Alex Chinneck unveiled his first permanent public installation – a giant rip in the brick façade of a London building...."

2017-08-02T10:03:16Z

Created page with "File:Chinneck1.jpg On 1 August 2017, British artist Alex Chinneck unveiled his first permanent public installation – a giant rip in the brick façade of a London building...."

New page

[[File:Chinneck1.jpg]]

On 1 August 2017, British artist Alex Chinneck unveiled his first permanent public installation – a giant rip in the brick façade of a London building.

Titled ‘Six Pins and half a Dozen Needles’ the surrealist installation is located on the site of Assembly London, Hammersmith., a former publishing house.

Reaching a height of 20 m, and weighing 10 tonnes, the installation is designed to appear as though the building’s red brick façade has cracked in half. Chinneck has intended the split to resemble a page ripped from a book.

[[File:Chinneck3.jpg]]

The end of 14 months’ work collaborating with structural engineers, steelworkers and brick-makers, the piece consists of 4,000 bricks and over 1,000 stainless steel components. It is placed on a steel framework that is bolted and welded to the building. The ‘rip’ is achieved by using the stainless steel components together with hundreds of unique bricks which were individually cut by hand and water.

The installation process took 18 hours, with each section having to be lifted 75 m to clear the neighbouring buildings on the site.

Alex Chinneck said:

“The work was conceived to engage people in a fun and uplifting way. Although we use real brick, it was designed with a cartoon-like quality to give the sculpture an endearing artifice and playful personality. I set out to create accessible artworks and I sincerely hope this becomes a popular landmark for London and positive experience for Londoners.”

[[File:Chinneck2.jpg]]

Chinneck is no stranger to the surreal spectacle that merges architecture with sculpture, with previous works including a melting house constructed from wax bricks, and a house façade that appeared to have slumped into the street in Margate.

Alex Chinneck’s ‘Six pins and half a dozen needles’ is a permanent installation and can be viewed at Assembly London, 77 Fulham Palace Road, London, W6 8JA.

Content and images courtesy of Alex Chinneck.

Images © Charles Emerson

= Find out more =

=== Related articles on Designing Buildings Wiki ===

* Cracking and building movement.
* Hive installation.
* Leaning Tower of Pisa.
* Parthenon of Books.
* Unusual building design of the week.
* Wire mesh church installation.

[[Category:Projects_and_case_studies]] [[Category:News]]