Futuro House - Revision history

Designing Buildings at 07:05, 18 November 2020

2020-11-18T07:05:50Z

← Older revision		Revision as of 07:05, 18 November 2020
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	* Y House.		* Y House.

−	[[Category:Conservation]] [[Category:~~History~~]] [[Category:~~Projects_and_case_studies~~]] [[Category:~~DCN_Project_Knowledge~~]] [[Category:~~Research_/_Innovation~~]] [[Category:~~DCN_Research,_Development_and_Innovation~~]] [[Category:Design]]	+	[[Category:Conservation]] [[Category:DCN_Commentary]] [[Category:DCN_Project_Knowledge]] [[Category:DCN_Research,_Development_and_Innovation]] [[Category:History]] [[Category:Projects_and_case_studies]] [[Category:Research_/_Innovation]] [[Category:Design]]

Editor at 16:44, 6 July 2020

2020-07-06T16:44:20Z

← Older revision		Revision as of 16:44, 6 July 2020
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	* Last Futures: Nature, Technology and the End of Architecture.		* Last Futures: Nature, Technology and the End of Architecture.
	* Modular buildings.		* Modular buildings.
		+	* Plexiglass.
	* Plug-In to Housing.		* Plug-In to Housing.
	* Prefabrication.		* Prefabrication.
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	* Y House.		* Y House.

−	[[Category:Conservation]] [[Category:History]] [[Category:Projects_and_case_studies]] [[Category:Research_/_Innovation]] [[Category:Design]]	+	[[Category:Conservation]] [[Category:History]] [[Category:Projects_and_case_studies]] [[Category:DCN_Project_Knowledge]] [[Category:Research_/_Innovation]] [[Category:DCN_Research,_Development_and_Innovation]] [[Category:Design]]

Editor at 09:12, 15 May 2018

2018-05-15T09:12:53Z

← Older revision		Revision as of 09:12, 15 May 2018
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	For more information about the Futuro House and the tours, see Barnes’ [http://www.futurohouse.co.uk/ website].		For more information about the Futuro House and the tours, see Barnes’ [http://www.futurohouse.co.uk/ website].
		+
		+	--[[User:Michael_Brooks\|Michael Brooks]]

	= Find out more =		= Find out more =

Editor at 14:24, 12 September 2017

2017-09-12T14:24:43Z

← Older revision		Revision as of 14:24, 12 September 2017
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	* Prefabrication.		* Prefabrication.
	* Republic of Kugelmugel.		* Republic of Kugelmugel.
		+	* Smallest house in Britain.
	* Theme Building, LAX.		* Theme Building, LAX.
	* Unusual building design of the week.		* Unusual building design of the week.

Editor at 14:34, 24 August 2017

2017-08-24T14:34:04Z

← Older revision		Revision as of 14:34, 24 August 2017
Line 54:		Line 54:
	* Prefabrication.		* Prefabrication.
	* Republic of Kugelmugel.		* Republic of Kugelmugel.
		+	* Theme Building, LAX.
	* Unusual building design of the week.		* Unusual building design of the week.
	* Y House.		* Y House.

	[[Category:Conservation]] [[Category:History]] [[Category:Projects_and_case_studies]] [[Category:Research_/_Innovation]] [[Category:Design]]		[[Category:Conservation]] [[Category:History]] [[Category:Projects_and_case_studies]] [[Category:Research_/_Innovation]] [[Category:Design]]

Editor at 14:59, 21 February 2017

2017-02-21T14:59:39Z

← Older revision		Revision as of 14:59, 21 February 2017
Line 53:		Line 53:
	* Plug-In to Housing.		* Plug-In to Housing.
	* Prefabrication.		* Prefabrication.
		+	* Republic of Kugelmugel.
	* Unusual building design of the week.		* Unusual building design of the week.
	* Y House.		* Y House.

	[[Category:Conservation]] [[Category:History]] [[Category:Projects_and_case_studies]] [[Category:Research_/_Innovation]] [[Category:Design]]		[[Category:Conservation]] [[Category:History]] [[Category:Projects_and_case_studies]] [[Category:Research_/_Innovation]] [[Category:Design]]

Designing Buildings at 15:46, 12 December 2016

2016-12-12T15:46:00Z

Designing Buildings at 15:36, 12 December 2016

2016-12-12T15:36:28Z

← Older revision		Revision as of 15:36, 12 December 2016
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	= Background =		= Background =

−	Futuro House is a prefabricated housing unit with a futuristic flying saucer-like shape. The ‘UFO house’, as it came to be popularly known, was designed and developed in the mid-to-late 1960s by ~~the~~ Finnish architect Matti Suuronen.	+	Futuro House is a prefabricated housing unit with a futuristic flying saucer-like shape. The ‘UFO house’, as it came to be popularly known, was designed and developed in the mid-to-late 1960s by Finnish architect Matti Suuronen.

	Suuronen had been commissioned to build an innovative solution for a ski chalet that could be assembled quickly on mountainous terrain. The concept was that the cabin would be light, easily-transportable and resistant to the elements.		Suuronen had been commissioned to build an innovative solution for a ski chalet that could be assembled quickly on mountainous terrain. The concept was that the cabin would be light, easily-transportable and resistant to the elements.

−	The Futuro measured 4 m (13 ft) high and 8 m (26 ft) in diameter. It was constructed using fibreglass-reinforcing polyester plastic, polyester-polyurethane and poly(methylmethacrylate). It was manufactured in 16 pieces which were designed to be transported to site and bolted together. In its assembled form, the cabin would sit on a steel frame, ~~which sat~~ on four concrete piers. An airplane-style staircase would open up from an entry hatch panel.	+	The Futuro measured 4 m (13 ft) high and 8 m (26 ft) in diameter. It was constructed using fibreglass-reinforcing polyester plastic, polyester-polyurethane and poly(methylmethacrylate). It was manufactured in 16 pieces which were designed to be transported to site and bolted together. In its assembled form, the cabin would sit on a steel frame, on four concrete piers. An airplane-style staircase would open up from an entry hatch panel.

	When it was unveiled at a Finnish exhibition, it captured the public’s imagination. It was not the first prefabricated modular home, but nonetheless it very much captured the sense of imagination and Space Race-inspired innovation that characterised the architecture and design of the 1960s, along with the work of Archigram, Buckminster Fuller’s geodesic domes and the counter-cultural Drop City shelters.		When it was unveiled at a Finnish exhibition, it captured the public’s imagination. It was not the first prefabricated modular home, but nonetheless it very much captured the sense of imagination and Space Race-inspired innovation that characterised the architecture and design of the 1960s, along with the work of Archigram, Buckminster Fuller’s geodesic domes and the counter-cultural Drop City shelters.

Editor at 14:44, 9 December 2016

2016-12-09T14:44:46Z

← Older revision		Revision as of 14:44, 9 December 2016
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	The Futuro measured 4 m (13 ft) high and 8 m (26 ft) in diameter. It was constructed using fibreglass-reinforcing polyester plastic, polyester-polyurethane and poly(methylmethacrylate). It was manufactured in 16 pieces which were designed to be transported to site and bolted together. In its assembled form, the cabin would sit on a steel frame, which sat on four concrete piers. An airplane-style staircase would open up from an entry hatch panel.		The Futuro measured 4 m (13 ft) high and 8 m (26 ft) in diameter. It was constructed using fibreglass-reinforcing polyester plastic, polyester-polyurethane and poly(methylmethacrylate). It was manufactured in 16 pieces which were designed to be transported to site and bolted together. In its assembled form, the cabin would sit on a steel frame, which sat on four concrete piers. An airplane-style staircase would open up from an entry hatch panel.

−	When it was unveiled at a Finnish exhibition, it captured the public’s imagination. It was not the first prefabricated modular home, but nonetheless it very much captured the sense of imagination and Space Race-inspired innovation that characterised the architecture and design of 1960s, along with the work of Archigram, Buckminster Fuller’s geodesic domes and the counter-cultural Drop City shelters.	+	When it was unveiled at a Finnish exhibition, it captured the public’s imagination. It was not the first prefabricated modular home, but nonetheless it very much captured the sense of imagination and Space Race-inspired innovation that characterised the architecture and design of the 1960s, along with the work of Archigram, Buckminster Fuller’s geodesic domes and the counter-cultural Drop City shelters.

	[[File:Futuro6.jpg\|link=File:Futuro6.jpg]]		[[File:Futuro6.jpg\|link=File:Futuro6.jpg]]

Editor at 14:44, 9 December 2016

2016-12-09T14:44:00Z

← Older revision		Revision as of 14:44, 9 December 2016
Line 1:		Line 1:
−	[[File:Futuro5.jpg]]	+	[[File:Futuro5.jpg\|link=File:Futuro5.jpg]]

	= Background =		= Background =

−	Futuro House is a prefabricated housing unit with a futuristic flying saucer-like shape. The ‘UFO house’ as it came to be popularly known was designed and developed in the mid-to-late 1960s by the Finnish architect Matti Suuronen.	+	Futuro House is a prefabricated housing unit with a futuristic flying saucer-like shape. The ‘UFO house’, as it came to be popularly known, was designed and developed in the mid-to-late 1960s by the Finnish architect Matti Suuronen.

	Suuronen had been commissioned to build an innovative solution for a ski chalet that could be assembled quickly on mountainous terrain. The concept was that the cabin would be light, easily-transportable and resistant to the elements.		Suuronen had been commissioned to build an innovative solution for a ski chalet that could be assembled quickly on mountainous terrain. The concept was that the cabin would be light, easily-transportable and resistant to the elements.
Line 11:		Line 11:
	When it was unveiled at a Finnish exhibition, it captured the public’s imagination. It was not the first prefabricated modular home, but nonetheless it very much captured the sense of imagination and Space Race-inspired innovation that characterised the architecture and design of 1960s, along with the work of Archigram, Buckminster Fuller’s geodesic domes and the counter-cultural Drop City shelters.		When it was unveiled at a Finnish exhibition, it captured the public’s imagination. It was not the first prefabricated modular home, but nonetheless it very much captured the sense of imagination and Space Race-inspired innovation that characterised the architecture and design of 1960s, along with the work of Archigram, Buckminster Fuller’s geodesic domes and the counter-cultural Drop City shelters.

−	[[File:Futuro6.jpg]]	+	[[File:Futuro6.jpg\|link=File:Futuro6.jpg]]

	Originally it was promoted to the new leisure classes as a holiday home, but as a ‘house for the future’ it quickly became identified as a possible solution to the world’s housing issues. It was launched in the US in 1969 and began to be licensed around the world.		Originally it was promoted to the new leisure classes as a holiday home, but as a ‘house for the future’ it quickly became identified as a possible solution to the world’s housing issues. It was launched in the US in 1969 and began to be licensed around the world.
Line 19:		Line 19:
	= Futuro House tour =		= Futuro House tour =

−	[[File:Futuro3.JPG]]	+	[[File:Futuro3.JPG\|link=File:Futuro3.JPG]]

	In 2013, the artist Craig Barnes decided to take an impulsive gamble while on holiday and bought one such Futuro House from where it had sat in a state of increasing dilapidation in the town of Port Alfred, South Africa.		In 2013, the artist Craig Barnes decided to take an impulsive gamble while on holiday and bought one such Futuro House from where it had sat in a state of increasing dilapidation in the town of Port Alfred, South Africa.
Line 25:		Line 25:
	Trying to figure out what to do next with it, Barnes travelled to Finland to view a restored example and learn from the team behind it. He came away enthused about transforming the Futuro back to its former glory, seeing himself as a “custodian of the architect’s original plan”, keenly aware that very little of this kind of architecture actually exists anywhere in the world.		Trying to figure out what to do next with it, Barnes travelled to Finland to view a restored example and learn from the team behind it. He came away enthused about transforming the Futuro back to its former glory, seeing himself as a “custodian of the architect’s original plan”, keenly aware that very little of this kind of architecture actually exists anywhere in the world.

−	[[File:Futuro4.JPG]]	+	[[File:Futuro4.JPG\|link=File:Futuro4.JPG]]

	Having dismantled and shipped the Futuro back to the UK, he set about his restoration project. It was a painstaking operation, requiring the use of improvised tools to extract and replace the timber joists without damaging the fibreglass shell. With deadlines in place, Barnes faced a race against time to try and reverse engineer the construction of the Futuro from archive photographs.		Having dismantled and shipped the Futuro back to the UK, he set about his restoration project. It was a painstaking operation, requiring the use of improvised tools to extract and replace the timber joists without damaging the fibreglass shell. With deadlines in place, Barnes faced a race against time to try and reverse engineer the construction of the Futuro from archive photographs.
Line 31:		Line 31:
	With an Arts Council grant, the Futuro – with its sleek turquoise finish – was exhibited on the roof of an East London gallery in 2014. After that, in September 2015, it was transferred and reconstructed to the roof terrace on Central Saint Martins (CSM) campus, behind King’s Cross Station.		With an Arts Council grant, the Futuro – with its sleek turquoise finish – was exhibited on the roof of an East London gallery in 2014. After that, in September 2015, it was transferred and reconstructed to the roof terrace on Central Saint Martins (CSM) campus, behind King’s Cross Station.

−	[[File:Futuro2.JPG]]	+	[[File:Futuro2.JPG\|link=File:Futuro2.JPG]]

−	[[File:Futuro7.jpg]]	+	[[File:Futuro7.jpg\|link=File:Futuro7.jpg]]

	In the space of ten months, Barnes had succeeded with his “labour of love”; transporting, restoring and exhibiting his Futuro House. He believes it to be the only one in the world that can be used for performance purposes rather than just being kept as a museum exhibit. The Futuro can be hired for events and entered as part of tours that Barnes gives himself. It will remain in place at CSM until August 2017, when it will be relocated elsewhere.		In the space of ten months, Barnes had succeeded with his “labour of love”; transporting, restoring and exhibiting his Futuro House. He believes it to be the only one in the world that can be used for performance purposes rather than just being kept as a museum exhibit. The Futuro can be hired for events and entered as part of tours that Barnes gives himself. It will remain in place at CSM until August 2017, when it will be relocated elsewhere.

← Older revision		Revision as of 15:46, 12 December 2016
Line 9:		Line 9:
	The Futuro measured 4 m (13 ft) high and 8 m (26 ft) in diameter. It was constructed using fibreglass-reinforcing polyester plastic, polyester-polyurethane and poly(methylmethacrylate). It was manufactured in 16 pieces which were designed to be transported to site and bolted together. In its assembled form, the cabin would sit on a steel frame, on four concrete piers. An airplane-style staircase would open up from an entry hatch panel.		The Futuro measured 4 m (13 ft) high and 8 m (26 ft) in diameter. It was constructed using fibreglass-reinforcing polyester plastic, polyester-polyurethane and poly(methylmethacrylate). It was manufactured in 16 pieces which were designed to be transported to site and bolted together. In its assembled form, the cabin would sit on a steel frame, on four concrete piers. An airplane-style staircase would open up from an entry hatch panel.

−	When it was unveiled at a Finnish exhibition, it captured the public’s imagination. It was not the first prefabricated modular home, but ~~nonetheless~~ it ~~very much captured the sense~~ of ~~imagination and~~ Space Race-inspired innovation that characterised the architecture and design of the 1960s, along with the work of Archigram, Buckminster Fuller’s geodesic domes and the counter-cultural Drop City shelters.	+	When it was unveiled at a Finnish exhibition, it captured the public’s imagination. It was not the first prefabricated modular home, but it was seen as part of the Space Race-inspired innovation that characterised the architecture and design of the 1960s, along with the work of Archigram, Buckminster Fuller’s geodesic domes and the counter-cultural Drop City shelters.

	[[File:Futuro6.jpg\|link=File:Futuro6.jpg]]		[[File:Futuro6.jpg\|link=File:Futuro6.jpg]]
Line 15:		Line 15:
	Originally it was promoted to the new leisure classes as a holiday home, but as a ‘house for the future’ it quickly became identified as a possible solution to the world’s housing issues. It was launched in the US in 1969 and began to be licensed around the world.		Originally it was promoted to the new leisure classes as a holiday home, but as a ‘house for the future’ it quickly became identified as a possible solution to the world’s housing issues. It was launched in the US in 1969 and began to be licensed around the world.

−	However, with the oil crisis of 1973, the manufacturing costs of the Futuro House tripled and put an end to its hopes of mass production. It is estimated that there are around 100 Futuro Houses around the world ~~in various conditions~~, and being architectural oddities, they are increasingly sought-after by collectors as a unique ~~example~~ of Space Age-era design.	+	However, with the oil crisis of 1973, the manufacturing costs of the Futuro House tripled and put an end to its hopes of mass production. It is estimated that there are around 100 Futuro Houses around the world, and being architectural oddities, they are increasingly sought-after by collectors as unique examples of Space Age-era design.

	= Futuro House tour =		= Futuro House tour =
Line 21:		Line 21:
	[[File:Futuro3.JPG\|link=File:Futuro3.JPG]]		[[File:Futuro3.JPG\|link=File:Futuro3.JPG]]

−	In 2013, the artist Craig Barnes ~~decided to take~~ an impulsive gamble while on holiday and bought ~~one such~~ Futuro House from ~~where it had sat in a state of increasing dilapidation in~~ the town of Port Alfred, South Africa.	+	In 2013, the artist Craig Barnes took an impulsive gamble while on holiday and bought a dilapidated Futuro House from the town of Port Alfred, South Africa.

−	Trying to ~~figure out~~ what to do next ~~with it~~, Barnes travelled to Finland to ~~view~~ a restored example and learn from the team behind it. He came away enthused about transforming the Futuro back to its former glory, seeing himself as a “custodian of the architect’s original plan”, keenly aware that very little of this kind of architecture actually exists anywhere in the world.	+	Trying to decide what to do next, Barnes travelled to Finland to see a restored example and learn from the team behind it. He came away enthused about transforming the Futuro back to its former glory, seeing himself as a “custodian of the architect’s original plan”, keenly aware that very little of this kind of architecture actually exists anywhere in the world.

	[[File:Futuro4.JPG\|link=File:Futuro4.JPG]]		[[File:Futuro4.JPG\|link=File:Futuro4.JPG]]

−	Having dismantled and shipped the Futuro back to the UK, he set about his restoration project. It was a painstaking operation, requiring the use of improvised tools to extract and replace the timber joists without damaging the fibreglass shell. With deadlines in place, Barnes faced a race against time to ~~try and~~ reverse engineer the construction ~~of the Futuro~~ from archive photographs.	+	Having dismantled and shipped the Futuro back to the UK, he set about his restoration project. It was a painstaking operation, requiring the use of improvised tools to extract and replace the timber joists without damaging the fibreglass shell. With deadlines in place, Barnes faced a race against time to reverse engineer the construction from archive photographs.

−	With an Arts Council grant, the Futuro – with its sleek turquoise finish – was exhibited on the roof of an East London gallery in 2014. ~~After that~~, in September 2015, it was transferred and reconstructed to the roof terrace on Central Saint Martins (CSM) campus, behind King’s Cross Station.	+	With an Arts Council grant, the Futuro – with its sleek turquoise finish – was exhibited on the roof of an East London gallery in 2014. Then, in September 2015, it was transferred and reconstructed to the roof terrace on Central Saint Martins (CSM) campus, behind King’s Cross Station.

	[[File:Futuro2.JPG\|link=File:Futuro2.JPG]]		[[File:Futuro2.JPG\|link=File:Futuro2.JPG]]
Line 35:		Line 35:
	[[File:Futuro7.jpg\|link=File:Futuro7.jpg]]		[[File:Futuro7.jpg\|link=File:Futuro7.jpg]]

−	~~In the space of ten months,~~ Barnes ~~had succeeded with his “labour of love”; transporting, restoring and exhibiting his Futuro House. He~~ believes it ~~to be~~ the only ~~one~~ in the world that can be used for performance purposes rather than just being kept as a museum exhibit. ~~The Futuro~~ can be hired for events ~~and entered as part of~~ tours that Barnes gives himself. It will remain in place at CSM until August 2017, when it will be relocated ~~elsewhere~~.	+	Barnes believes it is the only Futuro in the world that can be used for performance purposes rather than just being kept as a museum exhibit. It can be hired for events or visited on tours that Barnes gives himself. It will remain in place at CSM until August 2017, when it will be relocated again.

−	As for the question of how much it might now be worth, Barnes said ~~that~~ it was very difficult to tell. “One was sold in Paris recently for around 130,~~000euros~~ … but despite nearly bankrupting me, there aren’t many people who can say they own their own spaceship, so for now it’s not for sale!”	+	As for the question of how much it might now be worth, Barnes said it was very difficult to tell. “One was sold in Paris recently for around 130,000 euros … but despite nearly bankrupting me, there aren’t many people who can say they own their own spaceship, so for now it’s not for sale!”

	For more information about the Futuro House and the tours, see Barnes’ [http://www.futurohouse.co.uk/ website].		For more information about the Futuro House and the tours, see Barnes’ [http://www.futurohouse.co.uk/ website].