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		<id>https://www.designingbuildings.co.uk/w/index.php?action=history&amp;feed=atom&amp;title=Entasis</id>
		<title>Entasis - Revision history</title>
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		<updated>2026-05-09T14:50:50Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://www.designingbuildings.co.uk/w/index.php?title=Entasis&amp;diff=192235&amp;oldid=prev</id>
		<title>Designing Buildings at 07:26, 31 January 2021</title>
		<link rel="alternate" type="text/html" href="https://www.designingbuildings.co.uk/w/index.php?title=Entasis&amp;diff=192235&amp;oldid=prev"/>
				<updated>2021-01-31T07:26:49Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
			&lt;col class='diff-marker' /&gt;
			&lt;col class='diff-content' /&gt;
			&lt;col class='diff-marker' /&gt;
			&lt;col class='diff-content' /&gt;
		&lt;tr valign='top'&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 07:26, 31 January 2021&lt;/td&gt;
		&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Palladian architecture.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;* Palladian architecture.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[[Category:History]] [[Category:Theory]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Category:DCN_Definition]] [[Category:DCN_Guidance]] &lt;/ins&gt;[[Category:History]] [[Category:Theory]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Designing Buildings</name></author>	</entry>

	<entry>
		<id>https://www.designingbuildings.co.uk/w/index.php?title=Entasis&amp;diff=142474&amp;oldid=prev</id>
		<title>Designing Buildings at 14:04, 30 August 2019</title>
		<link rel="alternate" type="text/html" href="https://www.designingbuildings.co.uk/w/index.php?title=Entasis&amp;diff=142474&amp;oldid=prev"/>
				<updated>2019-08-30T14:04:07Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
			&lt;col class='diff-marker' /&gt;
			&lt;col class='diff-content' /&gt;
			&lt;col class='diff-marker' /&gt;
			&lt;col class='diff-content' /&gt;
		&lt;tr valign='top'&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 14:04, 30 August 2019&lt;/td&gt;
		&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The word entasis derives from the Greek word ‘εντενω’ (enteino – to stretch or make taut) and the term is believed to have been first used by the Roman military architect Vitruvius (c.80-15BC).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The word entasis derives from the Greek word ‘εντενω’ (enteino – to stretch or make taut) and the term is believed to have been first used by the Roman military architect Vitruvius (c.80-15BC).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Entasis maybe seen in classical architecture all over the world, such as on the Doric columns of the Parthenon, where it is said there is not a single straight vertical line in the surrounding colonnade (peristyle). With each vertical bowed, the projected lines are thought to meet at a point in space 3.5km away. The Renaissance architect Andrea Palladio also employed entasis and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;it &lt;/del&gt;can be seen on many of his works, such as the Villa Capra (La Rotunda), just outside Vicenza, northern Italy, built 1567-1570.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Entasis maybe seen in classical architecture all over the world, such as on the Doric columns of the Parthenon, where it is said there is not a single straight vertical line in the surrounding colonnade (peristyle). With each vertical bowed, the projected lines are thought to meet at a point in space 3.5km away. The Renaissance architect Andrea Palladio also employed entasis and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;this &lt;/ins&gt;can be seen on many of his works, such as the Villa Capra (La Rotunda), just outside Vicenza, northern Italy, built 1567-1570.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;= Speculation =&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;= Speculation =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;There has been much conjecture over the use of entasis in architecture because there is no evidence to explain why the early classical builders used the technique. Some have argued that entasis makes a column appear to bulge and therefore &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;be &lt;/del&gt;expressing the notion of strength as it takes the weight of whatever is above it. This may explain the exaggerated entasis applied to the columns of the First Hera temple at Paestum, Italy, that appear to bulge significantly at their lower extremities.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;There has been much conjecture over the use of entasis in architecture because there is no evidence to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;fully &lt;/ins&gt;explain why the early classical builders used the technique. Some have argued that entasis makes a column appear to bulge and therefore &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;is &lt;/ins&gt;expressing the notion of strength as it takes the weight of whatever is above it. This may explain the exaggerated entasis applied to the columns of the First Hera temple at Paestum, Italy, that appear to bulge significantly at their lower extremities.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Others say that there is a sound engineering explanation for applying the technique, as a column that bulges in its middle section is stronger than a column whose diameter changes in a progressive, linear way.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Others say that there is a sound engineering explanation for applying the technique, as a column that bulges in its middle section is stronger than a column whose diameter changes in a progressive, linear way.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;= Other applications =&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;= Other applications =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Entasis has been used &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;on constructions &lt;/del&gt;before and after the period of classical antiquity: it is thought that the builders of the pyramids may have been the first to use it and it has been employed on constructions ever since.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Entasis has been used &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;in construction &lt;/ins&gt;before and after the period of classical antiquity: it is thought that the builders of the pyramids may have been the first to use it and it has been employed on constructions &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;elsewhere &lt;/ins&gt;ever since.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The Inca employed entasis in their walls and doorways and it can also be seen in the monasteries and fortress architecture of Tibet and Bhutan. Building a battered (sloping) wall simply straight can make it appear to bulge outwards. Another example is the spire of the 14th century steeple of All Hallows parish church in Gedling, Northamptonshire.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;The Inca employed entasis in their walls and doorways and it can also be seen in the monasteries and fortress architecture of Tibet and Bhutan. Building a battered (sloping) wall simply straight can make it appear to bulge outwards. Another example is the spire of the 14th century steeple of All Hallows parish church in Gedling, Northamptonshire.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Designing Buildings</name></author>	</entry>

	<entry>
		<id>https://www.designingbuildings.co.uk/w/index.php?title=Entasis&amp;diff=142281&amp;oldid=prev</id>
		<title>Editor: Created page with &quot;Entasis in architecture can be seen mainly in the design of classical columns to correct what would be an optical illusion. But is also seen in the construction of spires and oth...&quot;</title>
		<link rel="alternate" type="text/html" href="https://www.designingbuildings.co.uk/w/index.php?title=Entasis&amp;diff=142281&amp;oldid=prev"/>
				<updated>2019-08-27T18:00:47Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;Entasis in architecture can be seen mainly in the design of classical columns to correct what would be an optical illusion. But is also seen in the construction of spires and oth...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Entasis in architecture can be seen mainly in the design of classical columns to correct what would be an optical illusion. But is also seen in the construction of spires and other upright members.&lt;br /&gt;
&lt;br /&gt;
Typically viewed from below, a column with straight parallel sides that taper toward the top can appear to be concave in outline. Classical designers therefore created a slight convexity (swelling) in the middle length of the column to correct the appearance of concavity. It is thought that the application of entasis also created a greater illusion of strength and height.&lt;br /&gt;
&lt;br /&gt;
The word entasis derives from the Greek word ‘εντενω’ (enteino – to stretch or make taut) and the term is believed to have been first used by the Roman military architect Vitruvius (c.80-15BC).&lt;br /&gt;
&lt;br /&gt;
Entasis maybe seen in classical architecture all over the world, such as on the Doric columns of the Parthenon, where it is said there is not a single straight vertical line in the surrounding colonnade (peristyle). With each vertical bowed, the projected lines are thought to meet at a point in space 3.5km away. The Renaissance architect Andrea Palladio also employed entasis and it can be seen on many of his works, such as the Villa Capra (La Rotunda), just outside Vicenza, northern Italy, built 1567-1570.&lt;br /&gt;
&lt;br /&gt;
= Speculation =&lt;br /&gt;
&lt;br /&gt;
There has been much conjecture over the use of entasis in architecture because there is no evidence to explain why the early classical builders used the technique. Some have argued that entasis makes a column appear to bulge and therefore be expressing the notion of strength as it takes the weight of whatever is above it. This may explain the exaggerated entasis applied to the columns of the First Hera temple at Paestum, Italy, that appear to bulge significantly at their lower extremities.&lt;br /&gt;
&lt;br /&gt;
Others say that there is a sound engineering explanation for applying the technique, as a column that bulges in its middle section is stronger than a column whose diameter changes in a progressive, linear way.&lt;br /&gt;
&lt;br /&gt;
= Other applications =&lt;br /&gt;
&lt;br /&gt;
Entasis has been used on constructions before and after the period of classical antiquity: it is thought that the builders of the pyramids may have been the first to use it and it has been employed on constructions ever since.&lt;br /&gt;
&lt;br /&gt;
The Inca employed entasis in their walls and doorways and it can also be seen in the monasteries and fortress architecture of Tibet and Bhutan. Building a battered (sloping) wall simply straight can make it appear to bulge outwards. Another example is the spire of the 14th century steeple of All Hallows parish church in Gedling, Northamptonshire.&lt;br /&gt;
&lt;br /&gt;
= Related articles on Designing Buildings Wiki =&lt;br /&gt;
&lt;br /&gt;
* Architectural Styles.&lt;br /&gt;
* Baroque architecture.&lt;br /&gt;
* Classical orders in architecture.&lt;br /&gt;
* Classical Revival style.&lt;br /&gt;
* Elements of classical columns.&lt;br /&gt;
* Italian Renaissance Revival style.&lt;br /&gt;
* Neoclassical architecture.&lt;br /&gt;
* Nineteenth century building types.&lt;br /&gt;
* Palladian architecture.&lt;br /&gt;
&lt;br /&gt;
[[Category:History]] [[Category:Theory]]&lt;/div&gt;</summary>
		<author><name>Editor</name></author>	</entry>

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