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		<id>https://www.designingbuildings.co.uk/w/index.php?action=history&amp;feed=atom&amp;title=Chettinad_egg_plaster</id>
		<title>Chettinad egg plaster - Revision history</title>
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		<updated>2026-05-20T04:52:38Z</updated>
		<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://www.designingbuildings.co.uk/w/index.php?title=Chettinad_egg_plaster&amp;diff=252437&amp;oldid=prev</id>
		<title>Editor: moved Chettinad plaster to Chettinad egg plaster</title>
		<link rel="alternate" type="text/html" href="https://www.designingbuildings.co.uk/w/index.php?title=Chettinad_egg_plaster&amp;diff=252437&amp;oldid=prev"/>
				<updated>2023-04-09T07:13:48Z</updated>
		
		<summary type="html">&lt;p&gt;moved &lt;a href=&quot;/wiki/Chettinad_plaster&quot; class=&quot;mw-redirect&quot; title=&quot;Chettinad plaster&quot;&gt;Chettinad plaster&lt;/a&gt; to &lt;a href=&quot;/wiki/Chettinad_egg_plaster&quot; title=&quot;Chettinad egg plaster&quot;&gt;Chettinad egg plaster&lt;/a&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
		&lt;tr valign='top'&gt;
		&lt;td colspan='1' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='1' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 07:13, 9 April 2023&lt;/td&gt;
		&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>Editor</name></author>	</entry>

	<entry>
		<id>https://www.designingbuildings.co.uk/w/index.php?title=Chettinad_egg_plaster&amp;diff=252434&amp;oldid=prev</id>
		<title>Editor at 07:13, 9 April 2023</title>
		<link rel="alternate" type="text/html" href="https://www.designingbuildings.co.uk/w/index.php?title=Chettinad_egg_plaster&amp;diff=252434&amp;oldid=prev"/>
				<updated>2023-04-09T07:13:11Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
			&lt;col class='diff-marker' /&gt;
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		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 07:13, 9 April 2023&lt;/td&gt;
		&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 16:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[https://www.youtube.com/watch?v=36AVxjgD290 https://www.youtube.com/watch?v=36AVxjgD290]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[https://www.youtube.com/watch?v=36AVxjgD290 https://www.youtube.com/watch?v=36AVxjgD290]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[https://www.chidambaravilas.com/blog/chettinad-plaster/ https://www.chidambaravilas.com/blog/chettinad-plaster/]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[https://books.google.com.mx/books?id=cfP6jHmSLnMC&amp;amp;amp;pg=PT122&amp;amp;amp;lpg=PT122&amp;amp;amp;dq=spanish+churches+and+egg+whites&amp;amp;amp;source=bl&amp;amp;amp;ots=NTvc2674py&amp;amp;amp;sig=ACfU3U36f3ssU8U7IDIFXAEEvSWky32qBg&amp;amp;amp;hl=en&amp;amp;amp;sa=X&amp;amp;amp;ved=2ahUKEwju7Nyxg_vfAhVGYK0KHWquBDAQ6AEwD3oECAoQAQ#v=onepage&amp;amp;amp;q=ran%20into%20the%20millions&amp;amp;amp;f=false Eggs in Cookery, proceedings of the Oxford symposium on food and cookery edited by Richard Hoskin Prospect Books 2007]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;[https://books.google.com.mx/books?id=cfP6jHmSLnMC&amp;amp;amp;pg=PT122&amp;amp;amp;lpg=PT122&amp;amp;amp;dq=spanish+churches+and+egg+whites&amp;amp;amp;source=bl&amp;amp;amp;ots=NTvc2674py&amp;amp;amp;sig=ACfU3U36f3ssU8U7IDIFXAEEvSWky32qBg&amp;amp;amp;hl=en&amp;amp;amp;sa=X&amp;amp;amp;ved=2ahUKEwju7Nyxg_vfAhVGYK0KHWquBDAQ6AEwD3oECAoQAQ#v=onepage&amp;amp;amp;q=ran%20into%20the%20millions&amp;amp;amp;f=false Eggs in Cookery, proceedings of the Oxford symposium on food and cookery edited by Richard Hoskin Prospect Books 2007]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff cache key designingbuildings:diff:version:1.11a:oldid:252431:newid:252434 --&gt;
&lt;/table&gt;</summary>
		<author><name>Editor</name></author>	</entry>

	<entry>
		<id>https://www.designingbuildings.co.uk/w/index.php?title=Chettinad_egg_plaster&amp;diff=252431&amp;oldid=prev</id>
		<title>Editor at 06:53, 9 April 2023</title>
		<link rel="alternate" type="text/html" href="https://www.designingbuildings.co.uk/w/index.php?title=Chettinad_egg_plaster&amp;diff=252431&amp;oldid=prev"/>
				<updated>2023-04-09T06:53:33Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
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		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 06:53, 9 April 2023&lt;/td&gt;
		&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;A similar mixing method called Argamasa can also be found in the Phillipines from the period of the Spanish occupation, where egg whites were used as emulsifiers for lime renders. So much so that a culinary historian from the Phillipines Pia Lim-Castillo, noted that some time after the Spanish had arrived local cookies called San Nicolas cookies were made, most probably because of the remaining egg yolks left from the construction of the churches. “The extensive use of egg white and eggshells brought about the ingenuity of the Filipino women who saw all these egg yolks being thrown in the river,” writes Lim-Castillo. “Recipes were created to make use of the egg yolks, like pan de San Nicolas, yema, tocino del cielo, leche flan, pastries, and tortas.”.. “the number of eggs used ran into the millions.” (Eggs in Cookery, proceedings of the Oxford symposium on food and cookery edited by Richard Hoskin Prospect Books 2007)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;A similar mixing method called Argamasa can also be found in the Phillipines from the period of the Spanish occupation, where egg whites were used as emulsifiers for lime renders. So much so that a culinary historian from the Phillipines Pia Lim-Castillo, noted that some time after the Spanish had arrived local cookies called San Nicolas cookies were made, most probably because of the remaining egg yolks left from the construction of the churches. “The extensive use of egg white and eggshells brought about the ingenuity of the Filipino women who saw all these egg yolks being thrown in the river,” writes Lim-Castillo. “Recipes were created to make use of the egg yolks, like pan de San Nicolas, yema, tocino del cielo, leche flan, pastries, and tortas.”.. “the number of eggs used ran into the millions.” (Eggs in Cookery, proceedings of the Oxford symposium on food and cookery edited by Richard Hoskin Prospect Books 2007)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;= External links =&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[https://www.youtube.com/watch?v=Q69uLjnVxEE https://www.youtube.com/watch?v=Q69uLjnVxEE]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[https://www.youtube.com/watch?v=36AVxjgD290 https://www.youtube.com/watch?v=36AVxjgD290]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;color: red; font-weight: bold; text-decoration: none;&quot;&gt;[https://books.google.com.mx/books?id=cfP6jHmSLnMC&amp;amp;amp;pg=PT122&amp;amp;amp;lpg=PT122&amp;amp;amp;dq=spanish+churches+and+egg+whites&amp;amp;amp;source=bl&amp;amp;amp;ots=NTvc2674py&amp;amp;amp;sig=ACfU3U36f3ssU8U7IDIFXAEEvSWky32qBg&amp;amp;amp;hl=en&amp;amp;amp;sa=X&amp;amp;amp;ved=2ahUKEwju7Nyxg_vfAhVGYK0KHWquBDAQ6AEwD3oECAoQAQ#v=onepage&amp;amp;amp;q=ran%20into%20the%20millions&amp;amp;amp;f=false Eggs in Cookery, proceedings of the Oxford symposium on food and cookery edited by Richard Hoskin Prospect Books 2007]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff cache key designingbuildings:diff:version:1.11a:oldid:252411:newid:252431 --&gt;
&lt;/table&gt;</summary>
		<author><name>Editor</name></author>	</entry>

	<entry>
		<id>https://www.designingbuildings.co.uk/w/index.php?title=Chettinad_egg_plaster&amp;diff=252411&amp;oldid=prev</id>
		<title>Editor at 06:13, 9 April 2023</title>
		<link rel="alternate" type="text/html" href="https://www.designingbuildings.co.uk/w/index.php?title=Chettinad_egg_plaster&amp;diff=252411&amp;oldid=prev"/>
				<updated>2023-04-09T06:13:38Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: white; color:black;&quot;&gt;
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			&lt;col class='diff-content' /&gt;
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		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;← Older revision&lt;/td&gt;
		&lt;td colspan='2' style=&quot;background-color: white; color:black;&quot;&gt;Revision as of 06:13, 9 April 2023&lt;/td&gt;
		&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Chettinad plaster is a traditional technique of lime plastering that originates from Chettinad, Tamil Nadu in Southern India. It can be found on many of the mansions in the area built around the 1700's and is notable for its &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;particlularly &lt;/del&gt;smooth light finish &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;and &lt;/del&gt;is created by using a specific local traditional plastering technique known as &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Chttinad &lt;/del&gt;egg plaster.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Chettinad plaster is a traditional technique of lime plastering that originates from Chettinad, Tamil Nadu in Southern India. It can be found on many of the mansions in the area built around the 1700's &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;by the wealthy trading community known as Nattukottai Chettiars, &lt;/ins&gt;and is notable for its &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;particularly &lt;/ins&gt;smooth light finish&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;. It &lt;/ins&gt;is created by using a specific local traditional plastering technique known as &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Chettinad &lt;/ins&gt;egg plaster&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, a gradual process of applying 6 different thin layers of plaster with the first with sand and the last with the addition of egg white&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The technique is a gradual process of applying 6 different thin layers of plaster with the first and the last having being varied.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Base coat; the first layer &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;or &lt;/ins&gt;base coat &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;of this plastering technique contains limestone, &lt;/ins&gt;which &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;is a &lt;/ins&gt;hydraulic lime &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;crushed and powdered, this is then simply &lt;/ins&gt;mixed with sand and water &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;to create &lt;/ins&gt;a binding layer &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;which is then applied to the existing wall to bond the new plaster&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Base coat; the first layer &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;is a &lt;/del&gt;base coat which &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;contains powdered &lt;/del&gt;hydraulic lime mixed with sand and water &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;as &lt;/del&gt;a binding layer.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Subsequent layers; four further layers are applied which are made of a mixture of shell lime (which is made traditionally), mixed with local Kalmavu white stone which is ground to a fine powder. The shell lime is made according to traditional hand methods, the limestone or sea shells (conches) are burned at high temperature, then water is added, which is known as slaking the lime. The sea shells are effectively calcium carbonate, which when heated up expels the carbon dioxide and becomes calcium oxide, when water is added the hot mixture steams and cools releasing the heat to create a crumbling mixture, which when dry is a white powder, this is which calcium hydroxide, lime plaster. The plaster is gradually applied thinner and thinner with each coat at this stage until ready for the final coat.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Subsequent layers; four further layers are applied which are made of a mixture of shell lime (which is made traditionally), mixed with local Kalmavu white stone which is ground to a fine powder. The shell lime is made according to traditional hand methods, the limestone or sea shells (conches) are burned at high temperature, then water is added, which is known as slaking the lime. The sea shells are effectively calcium carbonate, which when heated up expels the carbon dioxide and becomes calcium oxide, when water is added the hot mixture steams and cools releasing the heat to create a crumbling mixture, which when dry is a white powder, this is which calcium hydroxide, lime plaster. The plaster is gradually applied thinner and thinner with each coat at this stage until ready for the final coat.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Final coat in the final layer the same mixture is created as before, but at this stage egg white is added to the mixture. First the egg white is agitated to create a soapy foam, and is then added to the lime plaster mixture, the egg white helps lighten the mix making it soft and helping to reduce shrinkage and potential future cracking. At this stage milk whey is also added, this is the liquid remaining once the more solid milk curd squeezed. As with any activated lime plaster the inactive original material is converted to a chemically active material during application and once applied, over time returns back to being an inactive material. As the mixed and applied lime plaster on the wall stays in contact with the air around, it re-absorbs the Carbon Dioxide in the space, in doing so, and over a longer period gradually returns to being a relatively hard calcium carbonate as it was in the form of the original stone and shells. During the final mixing stage pigments may also be added to the mixture.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;Final coat in the final layer the same mixture is created as before, but at this stage egg white is added to the mixture. First the egg white is agitated to create a soapy foam, and is then added to the lime plaster mixture, the egg white helps lighten the mix making it soft and helping to reduce shrinkage and potential future cracking. At this stage milk whey is also added, this is the liquid remaining once the more solid milk curd squeezed. As with any activated lime plaster the inactive original material is converted to a chemically active material during application and once applied, over time returns back to being an inactive material. As the mixed and applied lime plaster on the wall stays in contact with the air around, it re-absorbs the Carbon Dioxide in the space, in doing so, and over a longer period gradually returns to being a relatively hard calcium carbonate as it was in the form of the original stone and shells. During the final mixing stage pigments may also be added to the mixture &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and in some cases also vajjram (tallow) may be added&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;burning limestone or shells at high temperature and adding water - slaking lime. Calcium carbonate, when heated up expels carbon dioxide becoming calcium oxide, adding water releases heat and &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;crumbling of &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;white shells which is a white powder which is calcium hydroxide&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;The final stage might also involve rubbing &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;surface with stone to help in creating the fine smooth finish, closing or sealing &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;final surface thus requiring no further treatment&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background: #eee; color:black; font-size: smaller;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;minus;&lt;/td&gt;&lt;td style=&quot;background: #ffa; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Lime plastering technique native to Chettinad, Tamil Nadu. Extensively seen &lt;/del&gt;in the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;18th century mansions &lt;/del&gt;of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Nattukottai Chettiars&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a wealthy trading community. Major ingredients are Stone &lt;/del&gt;lime, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Shell lime (binders) and River sand (aggregate)&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;stone powder (quartz) is also used. Admixtures like &lt;/del&gt;egg&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;-whites &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;vajjram (tallow) is also added&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;It is known for soft texture&lt;/del&gt;, &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;bright colour &lt;/del&gt;and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;reflective glazed surfaces&lt;/del&gt;. &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;This involves rubbing &lt;/del&gt;the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;surface with stone by craftsman to attain a very smooth finish and this requires no other treatment methods&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;background: #cfc; color:black; font-size: smaller;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;A similar mixing method called Argamasa can also be found &lt;/ins&gt;in the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Phillipines from the period &lt;/ins&gt;of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;the Spanish occupation&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;where egg whites were used as emulsifiers for &lt;/ins&gt;lime &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;renders. So much so that a culinary historian from the Phillipines Pia Lim-Castillo&lt;/ins&gt;, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;noted that some time after the Spanish had arrived local cookies called San Nicolas cookies were made, most probably because of the remaining egg yolks left from the construction of the churches&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;“The extensive use of &lt;/ins&gt;egg &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;white &lt;/ins&gt;and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;eggshells brought about the ingenuity of the Filipino women who saw all these egg yolks being thrown in the river,” writes Lim-Castillo&lt;/ins&gt;. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;“Recipes were created to make use of the egg yolks, like pan de San Nicolas, yema, tocino del cielo, leche flan, pastries&lt;/ins&gt;, and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;tortas&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;”.. “the number of eggs used ran into &lt;/ins&gt;the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;millions&lt;/ins&gt;.&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;” (Eggs in Cookery, proceedings of the Oxford symposium on food and cookery edited by Richard Hoskin Prospect Books 2007)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;!-- diff cache key designingbuildings:diff:version:1.11a:oldid:252410:newid:252411 --&gt;
&lt;/table&gt;</summary>
		<author><name>Editor</name></author>	</entry>

	<entry>
		<id>https://www.designingbuildings.co.uk/w/index.php?title=Chettinad_egg_plaster&amp;diff=252410&amp;oldid=prev</id>
		<title>Editor: Created page with &quot;Chettinad plaster is a traditional technique of lime plastering that originates from Chettinad, Tamil Nadu in Southern India. It can be found on many of the mansions in the area ...&quot;</title>
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				<updated>2023-04-09T05:45:51Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;Chettinad plaster is a traditional technique of lime plastering that originates from Chettinad, Tamil Nadu in Southern India. It can be found on many of the mansions in the area ...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Chettinad plaster is a traditional technique of lime plastering that originates from Chettinad, Tamil Nadu in Southern India. It can be found on many of the mansions in the area built around the 1700's and is notable for its particlularly smooth light finish and is created by using a specific local traditional plastering technique known as Chttinad egg plaster.&lt;br /&gt;
&lt;br /&gt;
The technique is a gradual process of applying 6 different thin layers of plaster with the first and the last having being varied.&lt;br /&gt;
&lt;br /&gt;
Base coat; the first layer is a base coat which contains powdered hydraulic lime mixed with sand and water as a binding layer.&lt;br /&gt;
&lt;br /&gt;
Subsequent layers; four further layers are applied which are made of a mixture of shell lime (which is made traditionally), mixed with local Kalmavu white stone which is ground to a fine powder. The shell lime is made according to traditional hand methods, the limestone or sea shells (conches) are burned at high temperature, then water is added, which is known as slaking the lime. The sea shells are effectively calcium carbonate, which when heated up expels the carbon dioxide and becomes calcium oxide, when water is added the hot mixture steams and cools releasing the heat to create a crumbling mixture, which when dry is a white powder, this is which calcium hydroxide, lime plaster. The plaster is gradually applied thinner and thinner with each coat at this stage until ready for the final coat.&lt;br /&gt;
&lt;br /&gt;
Final coat in the final layer the same mixture is created as before, but at this stage egg white is added to the mixture. First the egg white is agitated to create a soapy foam, and is then added to the lime plaster mixture, the egg white helps lighten the mix making it soft and helping to reduce shrinkage and potential future cracking. At this stage milk whey is also added, this is the liquid remaining once the more solid milk curd squeezed. As with any activated lime plaster the inactive original material is converted to a chemically active material during application and once applied, over time returns back to being an inactive material. As the mixed and applied lime plaster on the wall stays in contact with the air around, it re-absorbs the Carbon Dioxide in the space, in doing so, and over a longer period gradually returns to being a relatively hard calcium carbonate as it was in the form of the original stone and shells. During the final mixing stage pigments may also be added to the mixture.&lt;br /&gt;
&lt;br /&gt;
burning limestone or shells at high temperature and adding water - slaking lime. Calcium carbonate, when heated up expels carbon dioxide becoming calcium oxide, adding water releases heat and the crumbling of the white shells which is a white powder which is calcium hydroxide.&lt;br /&gt;
&lt;br /&gt;
Lime plastering technique native to Chettinad, Tamil Nadu. Extensively seen in the 18th century mansions of Nattukottai Chettiars, a wealthy trading community. Major ingredients are Stone lime, Shell lime (binders) and River sand (aggregate). stone powder (quartz) is also used. Admixtures like egg-whites and vajjram (tallow) is also added. It is known for soft texture, bright colour and reflective glazed surfaces. This involves rubbing the surface with stone by craftsman to attain a very smooth finish and this requires no other treatment methods.&lt;/div&gt;</summary>
		<author><name>Editor</name></author>	</entry>

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