Conservation and storage facility for the Musée du Louvre
In July 2015, Rogers Stirk Harbour + Partners (--RSHP) were announced as winners of a competition for the development of a conservation and storage facility for the Musée du Louvre in Liévin (Nord-Pas de Calais) in northern France. The facility will be in an extension of the “pioneer woods” and the Musée du Louvre-Lens site, in the former urban development zone Jean-Jaurès, located in the heart of the “Green Arc” of Euralens.
The consortium, led by RSHP, designed a 20,000 m2 landscaped building, with a slightly sloping roof, fully covered with vegetation that combines light-filled spaces and cutting-edge technology to guarantee stable climatic conditions for the conservation of the Louvre’s collections.
Approximately 250,000 works of art, currently stored in more than 60 different locations both inside and outside the Louvre palace (in Greater Paris and other French regions), will be transferred to the site as soon as the building is complete. Transferring the museum’s reserve collections is a step aimed at protecting the art from the risk of centennial flooding. The move is intended to create a facility for study and research, one of Europe’s largest, to enhance the scientific renown of the Musée du Louvre.
The construction budget is 35 million euros, and the overall cost of the project 60 million euros. The Musée du Louvre will finance 51% of the project, and the regional council of Nord-Pas de Calais 49%. Construction is set to begin in 2017 and the new building will welcome scientists and researchers from end-2018.
“It is our intent that the new conservation and storage facility for the collections of the Musée du Louvre tap into the full potential offered by our project’s functional program and its location as a natural extension of a green pathway. Our proposal calls for a sloping design in harmony with its surroundings, to provide a discreet solution for a building surface area of considerable scope, following the natural contours of the site. The new, inclined surface takes the diverse volumes of the collections into account organically, protecting them from extreme fluctuations of the outdoors, in a building with high thermal mass to ensure stable and optimal conditions indoors.
“The western edge of this new park is designed to highlight the all-important conservation work of the Louvre’s exceptional collection in the most up-to-date facilities. A large window offers a view onto the activity that will take place in a broad band that serves as an interface with the collections in the heart of the building. A garden on the same level provides a welcome oasis, pleasant views and natural light to personnel. This area is connected to the collections via the “boulevard of artworks,” a logistical axis linking the reception area to the art reserves and delivery bay. This ample flow of movement constitutes the core of the building, bathing conservation areas in natural light and providing a space brimming with life, thanks to its capacity to host activities, but also temporary and social events.
“The structure of the building emerges from the landscape like the work of Vauban, the traditional strength of concrete walls framing the geological mass of the landscape. Two partitions create two main avenues for the flow of traffic, and determine the distribution of networks. They are discreet, do not obstruct ventilation of underground areas, and are the only visible parts of this built environment. The frame of the structure, simple and incremental, serves to define and unify all of the spaces, creating volumes that make up the whole of the site to offer great flexibility for future developments. This fundamental structure creates a series of linear vaults, generating spaces with a unique atmosphere. The end result is reminiscent of cathedral reliquaries, highlighting the value of the precious objects housed here.
“The economy of means used in the project is a reflection of a well thought-out and elegant simplicity. The seamless blending of the building into the landscape, and the carefully conceived single-story plan are at once perfectly contemporary and timeless. This state-of-the-art facility, fully integrated into the surrounding landscape, offers an ideal place for works of art that are both priceless and ageless.”
Jean-Luc Martinez, President-Director of the Musée du Louvre said, “The project proposes innovative solutions in terms of sustainable development and the building’s thermal mass. It is particularly commendable for providing a response that is perfectly in line with the plan to ensure stable climatic conditions for storing art, and for the organization of day-to-day interactions in a one-story space…. The new facility will be in perfect dialogue with its neighbour, the Louvre-Lens.”
Daniel Percheron, President of the Nord-Pas-de-Calais region said, “The project for a conservation and storage facility, designed by a Franco-British team, is in line with the threefold vision of the Nord-Pas-de-Calais region, with the support of Euralens: a cultural facility with the creation of the Musée du Louvre-Lens; economic renewal with the support of centers of excellence, notably in relation to the art and culture economy and art professions; and lastly, an environmental dimension with the onset of the “third industrial revolution.”
Featured articles and news
Send in your coursework on a taught course by 31 July for a chance to win a prize and attend the IHBC’s Annual School in Belfast in June 2018.
Can Wellington (NZ) save its heritage buildings before it’s too late?
The Daily Telegraph reports that many small regimental museums are to lose Ministry of Defence (MoD) funding by the end of next decade.
The Heritage Open Days (HODs) 2016 Impact Report shows an estimated 3 million visitors attending 5293 events with £10m for local economies.
The British Council has announced the initial projects to be supported by the Cultural Protection Fund, which will protect heritage overseas.